If Black Panther recently spread the gospel of Afrofuturism to the masses, the canon of Sun Ra, including this 1974 sci-fi film, is one of the cosmology’s foundational sources. The film’s genesis lies in the early seventies, when the visionary jazz musician was teaching a course on “The Black Man in the Cosmos” at UC Berkeley. These lectures formed the basis for Space Is the Place, in which a time-traveling Sun Ra and his Arkestra discover a new planet where they want to resettle African Americans. But they have to win a card game against the evil Overlord, a pimp, first. Of course, Sun Ra uses music to rally the youth to his cause, even as the Overlord works to poison their minds and NASA scientists try to steal his space-travel secrets. The freewheeling psychedelic narrative is the result of experimental structuring and editing techniques, but it conceals a systemic indictment of the white power structure and how it can co-opt even African Americans. See it at Shadowbox with Sun Ra tunes spinning before and after.
Thursday, May 24 (i.e., tonight!)
Shadowbox Studio
2200 Dominion St, Durham
7 p.m., free
www.shadowboxstudio.org
If “Black Panther” Was Your Intro to Afrofuturism, Get Caught Up on Its History with “Space Is the Place”
If "Black Panther" Was Your Intro to Afrofuturism, Get Caught Up on Its History with "Space Is the Place":